Yiddish Book Center Museum Store
Cart 0

Dear Members and Visitors,

We are not currently fulfilling online orders, as the Yiddish Book Center has closed its building to protect visitors and staff during the COVID19 pandemic. Feel free to browse our store, but be aware that the shopping cart is disabled.

You can also browse the Center’s main website at yiddishbookcenter.org. Or sign up at yiddishbookcenter.org/signup for our free e-newsletter featuring interviews, articles, podcasts and other content that you can enjoy during this time.

If you have any questions, contact me at  bookstore@yiddishbookcenter.org.


A sheynem dank, and be well!

Sami Keats, Museum store Manager

Far from Zion: Jews, Diaspora, Memory by Jason Francisco

Far from Zion: Jews, Diaspora, Memory by Jason Francisco


Part document and part visual poem, Far from Zion is the response of a young American Jew to the historical experience of Ashkenazic Jewry in the last century. In the spirit of a contemplative but unsentimental reckoning, the photographs consider the fragmentation and historical contingency of Jewish experience, the discontinuity and fragility of Jewish identity, and the uncertain meaning of diaspora as a Jewish inheritance. The result is a sequence of pictures that moves between marked and unmarked historical locations in Europe and the United States, portraits of contemporary Jews, and the events of Jewish life. An original essay, "Diasporic Investigations," elaborates the photographs' concerns.

In contrast to traditional documentary works aligned with confirmative and expository attitudes toward social testimony, this project looks to the indeterminacies of the photographic image to illuminate social experience that is itself indeterminate and elusive. By turns emphatic and circumspect, quiet and pointed, the project addresses the complex actuality of diaspora in our own time.

Beyond its contribution to contemporary photography, the work also responds to Jewish photography (both by and about Jews) specifically. In contrast to the historical work of Roman Vishniac, for example, the book rejects nostalgic reclamation of vanished worlds; in contrast to the contemporary work of Frédéric Brenner, the book refrains from modish theatricality, and instead confronts the legacy of the passing Jewish century through interrogatory observation. Locating documentary photography at the intersection of history, geography, literature, and philosophy, the book promotes a dialogue between these fields through pictures.

Hardcover 2016


Share this Product


More from this collection